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M. L. Rio's avatar

So many fantastic points here. The two most salient ones for me are about fostering authors' careers more than individual books (how do you build a brand if your publisher loses interest when you're not an instant bestseller? Backlist is worth investing time/effort in) and the need for internal branding by individual imprints. It would be so beneficial, not only for the publisher to reader relationship, but also to help authors figure out which imprint is really the right home for their work. When an imprint's list is too all over the place, it's not good a situation for anybody trying to stay on (or conform to) message. Thanks as always for your insight.

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Martha Jean Johnson's avatar

Very interesting and informative -- and as someone with a book coming out next May, lots for me to think about. Definitely some useful caveats

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Jackie M. Stebbins's avatar

Wonderful piece! Thanks for the info.

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Joan Fernandez's avatar

Building my author brand is constantly on my mind. It's all about what to focus on with limited time/$. Thank you for your insider take on this changing landscape!

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Kern Carter's avatar

Too much truth in this piece to even comment on. Concur on everything.

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Amanda McTigue's avatar

Once again, thank you.

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Barbara Yager's avatar

Fantastic

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Cami's avatar

How does Goodreads play into publicity? I feel like the books on Goodreads "best book of April" (or whatever article) always seem to do pretty well and I know several people who look at that list for what to read next

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Susan I Weinstein's avatar

Good Reads is an author site. And the reviews and list reflect their choices made without commercial prods

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Susan I Weinstein's avatar

As a book publicist of many decades and equal time as an independent, i applaud much of this analysis. The blurring of publicity and marketing, on author platforms like Reedsy instruct authors about the algorhythm and Amazon ads. Branding as creating an identity platform with purpose seems underserved. I look forward to reafing more.

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Frau Katze's avatar

I mostly read nonfiction. You can find books by entering a subject into Google and selecting ‘Books’. I evaluate them by reading reader reviews on Amazon.

I also read book reviews from the Wall Street Journal. They tend to review the type I’m interested in.

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David Thalberg's avatar

Kathleen - Really great email today. Very helpful. Authors really need to think about what their brand is and how to best directly reach their readers. Are they NYTimes readers? USWeekly? Never read an actual magazine, but only go on TikTok? There's no "one size fits all" when it comes to book publicity. That's for sure!

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Kim Dahlgren's avatar

So helpful to think about as the industry / landscape continues to shift. Thanks!!

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Salvador Lorca 📚 ⭕️'s avatar

One of the BEST pieces on this topic

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Kathleen Schmidt's avatar

Thank you!

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Salvador Lorca 📚 ⭕️'s avatar

When I study management, "publicity" was an important issue for SMEs.

Maybe, for some time, FB, Twitter, etc, was an indirect way of publicity. Now, only sometimes: To reach audience we have to pay in those platforms.

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Jocelyn Jane Cox's avatar

Thanks for this! As someone w a memoir coming out with a small press in 2025, I really heard this line: "...Brand from within..."I think I'm going to get this tattooed on my...spreadsheet.

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Arturo E. Hernandez's avatar

Great information! Bob Lefsetz has a similar message for the music industry.

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Ronda Wells MD's avatar

Whatever happened to “word of mouth sells books”?

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Kathleen Schmidt's avatar

It still does, but how do people hear about them to spread word of mouth?

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